The gig is a mix of originals and standards, the latter not being something Scofield necessarily recorded much of during his collaborations with other artists. His sense of harmony and weaving unique melodic lines makes him one of the more interesting jazz composers, away from what he's accomplished on the electric guitar. Whether bringing out a version of his own tune "The Guiness Spot" or playing ultra-traditional songs like "My Foolish Heart" and "Woody'n You," Scofield manages to bring his unique phrasing and sound to bear. We're more interested in the originals, but it's a nice compromise to play through some songs where the audience can hum along. It's interesting to hear Scofield's mastery of bop songs like "Steeplechase" and "Relaxin' at Camarillo," plus these are areas where Eckroth's style shines. Street seems to be less of a virtuosic soloist and more of the dependable anchor for the group. Stewart solos a few times, but his playing style is already a constant murmur of counterpoint to Scofield, much as one came to expect from dummers like Roy Haynes.
The audience is relaxed, a bit more sedate than one might expect in the states. The mood is focused, and the band appeared to be enjoying its time on-stage. Scofield pulls out some of the most expressive "guitar faces" you'll every see, to the point that it's almost a distraction from the music at times. Close your eyes, open up your ears, and just enjoy it.
